Virtual Old Town, Old Town, Maine



           

Welcome To His World: Penobscot Nation firefighter keeps Elvis’ flame alive

August 10, 2006

Elvis may have “left the building” permanently twenty-nine years on a hot August in Graceland, but his spirit is still alive and kicking. Despite the enormous changes that have taken place in the music industry since August 16, 1977, ask any serious Elvis Presley fan what “The King” means to them and you’re likely to get an earful about the man’s stratospheric talent, his remarkable showmanship, and his indelible influence on rock and roll. It’s no different with Penobscot Nation Fire Lieutenant Joey Loring of Indian Island, save for the fact that, in Loring’s case, a passion for Elvis’ music has become part of his own legacy to the local world.

Loring is an Elvis tribute artist, a seasoned performer whose act celebrates Presley’s music and songs. But unlike the stereotypical Elvis impersonator, who works hard at recreating the smallest details of Presley’s outward form, Loring’s act is focused almost entirely on the music itself. Except for the one-piece Elvis-style jumpsuits he wears on stage, Loring doesn’t embellish his appearance in any way. No sideburns or surgically enhanced lip curl for this performer. For Loring, it’s all about singing the songs that he loves.

“My mother told me that I used to dance around to Elvis songs when I was three or four years old,” Loring recalls. “The music would come on and I’d just start bouncing around. My family was really into country music and rock and roll. My brother was a Beatles fan and influenced me with that music, too. But my mother loved Elvis.”

Loring’s early infatuation with The King didn’t dissipate as he got older. Even as an adolescent, he felt drawn to Presley’s music, despite the fact that many of his contemporaries were more interested in the heavy metal “hair” bands of the late seventies and early eighties.

“I was never into the hair bands and all of that,” Loring says. “Even now, friends will ask me why I do this. I don’t know. I just love Elvis’ music. And I love the way that people respond when I perform the music for them.”

Loring has a long history of performing at area retirement homes and other family-friendly venues. In fact, he insists, the best thing about being an Elvis tribute artist is seeing the way that the older members of his audience react to the memories that his performances always sparks.

“Before I go on stage, I get butterflies, just like anybody else would,” Loring says. “I’m always nervous when I first go out there. But after one or two songs, something just takes over and it’s the greatest feeling in the world. The audience starts getting into it and they start calling out songs. I can see on their faces that I’m bringing back a special time for them. Older people deserve to be entertained in a way that means something to them.”

Loring’s singing voice, a smooth baritone, sounds very similar to Presley’s rich croon, especially when he’s singing ballads. But even though he’s spent years honing his sound, he says that, to his own ears, he merely sounds like “himself” when he sings. His wardrobe is an entirely different matter. Loring’s extensive jumpsuit collection is a study in Presley-esque glamour, ranging from dark blue beaded suits to the proverbial white sequined number. He has an impressive collection of belts, too, all of which sport an appropriate amount of shiny beads and metal trim. And when it comes to colorful scarves, like the ones that Presley used to wipe his face on stage before throwing them to swooning female fans, Loring has the situation covered. Thanks to the sewing talents of his mother-in-law, Carmela Leriche, he has plenty of scarves to pass out to his own fans. He also keeps a supply of leis and teddy bears on hand for the same purpose.

“I don’t do this for the money,” Loring laughs. “I spend money, buying the scarves and the teddy bears that I hand out to the audience. But it’s a small price to pay for the joy I get in doing this for people. It’s worth it.”

Still, aside from all of the glitter and glitz that is a part of any Elvis tribute performance, Loring remains emphatic about his hero’s real place in the music world.

“Elvis will never die,” he says. “He’s a part of American history. He means too much to people.”

Loring adds that he’s not worried about up and coming generations forgetting about Presley’s musical legacy. His toddler-age granddaughter, Ciara, who lives with him and his wife, Tammy, attends nearly all of his performances and shows every sign of growing into a full-fledged Elvis fan herself. She even has her own one-piece jumpsuit and microphone.

Loring cites as another example of Presley’s enduring appeal for today’s young music fans a teen-ager he met while giving a performance in Bangor. After talking with the boy post-performance, Loring was so touched by his interest and his own personal story that he went to visit him, bringing along some rare Elvis records and other memorabilia that he had collected over the years.

“The thing about those of us who do this kind of thing,” Loring says, “is that we’re not a competitive group. We do it for the love of the music and for the happiness it brings to people. There are Elvis clubs out there, but I haven’t gone that far. I’m happy just performing as much as I can. In fact, I’d like to perform even more. I prefer playing family-oriented venues, but I’m open to discussing performing anywhere.”

And with all of that unbridled love for The King and his music, does Loring have a favorite Elvis song? He says he does.

“I guess it would be ‘Welcome To My World’,” he says. “I sing it in every show. I think it captures what Elvis was all about.”

Loring will be welcoming Old Town’s Elvis fans to his world yet again on August 12 at the Class of ’56 Reunion at the Knights of Columbus Hall and on August 15 at a special 6:30 performance in Riverfront Park. On the following day, August 16, Loring will be help mark the anniversary date of Presley’s passing by appearing as a guest on Channel 5’s six o’clock news.

 

 

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